ancient technique recurs in a "street art" in the assemblage of Roberto Amoroso: Re-evolution seems in fact a remake of the ancient medallions fifteenth where face images are replaced, respectively, from girlie ink and decorations made of vector graphics on transparent or colored paper silhouettes. The result is a series of micro - suite dominated by human figures, with their grins and their bodies decomposed themselves as emancipation from the body fetish.
Carla Rossetti 
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