June 2010

Network 3 Dongle Free

Spot # 2 Piece of My Art

How Do I Know Impetigo Is Healing

09/24/2009 for short periods on a scenario often still submerged and transverse to encourage more interplay between the museum and the land in accordance with the mission of the Project Room, which stands more as an experimental laboratory of ideas, proposals and project ideas.

The installation works on two levels: the first, the other metaphorical. The Project Room is completely covered by a wall-paper that draws the visitor into a metaphorical dimension: a series of hybrid human / animal emerge from the walls. The compositional architecture takes on a visionary beings that inhabit it seem scary to be blocked in the first collapse to the ground.
Amoroso's work is characterized reinterpretation of miscellaneous cultural stimuli. The iconographic references both the history of art - the representation of gigantomachy and posture of classical statuary - that the glossy fashion magazines merge with theoretical cues theriomorphism (hybrid human / animal) and cyborg (hybrid human-machine) dialectical and stylistic figures are typical of the sensitivity of the Post-Human. The matter of the installation is contradicted by the performance artist who for the duration of the exhibition, armed with personal computers, "gives" a small portion of all visitors with a USB stick that can then seize fetishistically and reproduce it at will.

performative action clarifies the word game that gives the exhibition its title, borrowed from a popular song by Janis Joplin: Piece of my Heart, as if to suggest the equivalence ironically a piece of my heart / one-piece my art, a gesture that using technology to become symbolic literal. A further enrichment of meaning is given by the sound of the installation: the original song is subjected to the process of decomposition of the typical download similar to what happens to the work through performance. The defrag sound is reduced to a sequence of noise sounds.

A piece of my art is an installation synaesthetic, emblematic of the transition from the work of Art in the Age of Mechanical Reproduction in the work of art in the age of digital reproduction, where the artist is expressed as a form of de-subjectivity and the work tends to manifest itself as an impersonal product and communication device that makes built-vanishing of the concept of copyright.

Editors: Adriana Rispoli-Eugenio Viola

Photo: wealthy

Old Style Dewalt Boots

Wild Etiquette # 1 selected to Eco Art Project Selection

Eng: The ancient and noble

technical dell'araldo symbolizes the ceaseless flow of vicious cycle of industrial production of meat. Destruction of a gear that moves silently in front of our eyes produced more meat, more grain needed to feed the beasts sentenced to cultivate more land reclaimed from the lushness of the woods and plagued by deforestation. The heraldic symbols summarize the process and invite us to look beyond appearances can be an environmental etiquette?

Eng:

The technique of the antique and noble herald unceasing symbolizes the flowing of the twisted cycle of the industrial production of meat. A destructive mechanism moving Silently: produced more meat, more grain needed to feed the animals Condemned, detracted more lands to the bloom of woods and tormented by deforestation. The heraldic symbols synthesize this process and invite us to look beyond the appearances: it is conceivable Some sort of Environmental etiquette?